Description:

The undergraduate major in studio production is among the leading programs of its kind in the United States.

The program seeks a limited number of experienced producers and engineers who display advanced skills in recording, production, and associated technology. It is the quest of the studio production program and its faculty to develop producers who can ultimately work within a wide spectrum of musical genres with expertise, awareness, and understanding of each genre’s subtleties and traditions and with sharply honed technological, musical, and business skills. The faculty and alumni alike are established artists and producers, and many studio production students are professionals before they graduate.

The hallmarks of the studio production program include:

  • hands-on studio experience
  • thorough training in most musical genres, from hip-hop to Mozart
  • small-group study with professional producers
  • music theory and musicianship for producers

The curriculum offers hands-on lessons in each of the state-of-the-art recording facilities housed in the Conservatory of Music, plus a thorough grounding in the business of music. Additionally, studio production students engineer dozens of recitals for their fellow students in the conservatory, creating a synergy that is virtually exclusive to Purchase College. The program also functions closely with the studio composition program, and collaborative accomplishment between these two programs is typical in classes, concerts, and recording sessions.

Bachelor of Music Requirements:

In addition to meeting  General Education requirements and other degree requirements,  undergraduate studio production majors must complete the following conservatory requirements (98 credits). Of the 98 credits, up to 8 credits of music history may be counted toward the liberal arts requirement (30 credits minimum) for the degree.

Freshman Year: 26 credits

Sophomore Year: 29 credits

Junior Year: 20 credits

Senior Year: 23 credits

*Music History Electives (Effective Fall 2020)

HIS2150/ Rock, Pop, and Jazz: A History of Jewish Creativity in Music
MUS1035/Jazz Choir
MUS 1060/Reflections Western Music
MTH 1560/Introduction to World Music
MTH 2130/Music and Politics, 1800-1950
MTH 3170/Techniques of Composition for Performers
MTH 3400/History of Jazz I
MTH 3450/History of Jazz II
MTH 3520/Disruption and Art Music
MTH 3575/Music from Antiquity
MTH 3576/Music of the Common Practice Era
MTH 3577/Expansion of Chromaticism
MTH 3578/Music Since 1945
MTH 3600/The Music of J. S. Bach
MTH 3620/Music of Beethoven
MTH 3630/Berlioz, Wagner, and Liszt
MTH 3670/Mahler and Strauss
MTH 3680/Shostakovich and The Soviet Era
MTH 4075/Post-Tonal Theory & Analysis
MTH 4120/History of Recorded Music I
MTH 4130/History of Recorded Music II
MTH 4235/Opera Queens: LGBTQ Representation in Opera Onstage and Off
MTH 4340/World Traditions in Music
MUS 4520/Trends in Music in Society


Faculty

  • Associate Professor of Music
    • MusB, Purchase College, SUNY
  • Lecturer
    • Diploma, DeVry University
  • Visiting Affiliate Artist
    • MusB, Purchase College, SUNY
  • Lecturer of Music
    • BM, Purchase College, SUNY
    • MM, Purchase College, SUNY
  • Assistant Professor of Music
    Head of Studio Composition (Graduate Studies)
    • MusB., Purchase College, SUNY
    • MM, Purchase College, SUNY
  • Lecturer of Music
    • BA, Cornell University
    • JD, University of California, Los Angeles
  • Lecturer of Studio Production and Studio Composition